Center for Puppetry Arts® is pleased to
announce its newest special exhibit: Wild,
Wooly, & Wonderful opened in April.
The wonders of nature have long inspired art, writing and performance.
Puppeteers everywhere, from Africa to South America, use animals to tell
stories about their cultures, traditions and everyday life. This exhibit
showcases different ways animals are represented by artists and how those
representations relate the artist’s cultural heritage and creative talent.
Featuring rarely seen museum artifacts
from the Center’s collection, Wild,
Wooly, & Wonderful showcases domestic and wild animals alike. For each
animal represented in the exhibit, patrons are able to view examples from
different cultures side by side as they marvel at the unique artistry,
commonalities and differences. The new exhibit is the latest in the Center’s Passports Gallery, which focuses on cross-cultural and international puppet
representations.
Wild,
Wooly, & Wonderful was curated by Melissa McCarriagher, Center for
Puppetry Arts Exhibitions Director. “This exhibit is charming and a great way
to introduce people of all ages to puppetry through something that they are
already familiar with – animals. It’s always interesting to see the way that
animals are represented from one culture to the next. For example, American
puppeteers usually have their animals walk and talk like you and me,” commented
McCarriagher. She continued, “This is seen in Julie Taymor’s Broadway
production of The Lion King. Other
cultures such as the Sogo Bo puppeteers of Africa, allow their animals to
behave and look like animals. While Taymor’s puppets behave quite differently
than the Sogo Bo, it was actually their puppet artistry that inspired her
designs.”
Wild, Wooly,
& Wonderful
features puppets of cats, dogs, horses, birds and more. Some, such as a
prototype mask of Scar from Disney’s The
Lion King, offer a glimpse into the creative process of very popular,
modern productions; while others, such as tiger puppets used in many other
cultures, allow patrons to become acquainted with puppetry’s diverse roles in
the world and how one perception might differ from our own.
McCarriagher explains, “In Chinese
culture, the tiger is considered to be the king of all beasts – not the lion.
For this reason the tiger appears in classic Chinese stories that are often
performed through glove puppetry. The tiger is also revered in Indian culture,
and is often related to the Goddess Durga who rides on a tiger’s back. People around the world are mesmerized by
“big cats,” so this exhibit is a great opportunity to get nose to nose with
them without any fear of being bitten.”
Now open, Wild, Wooly, & Wonderful remains on view in the Center for
Puppetry Arts Passports gallery through the 2013-14 Season. To make the most of
a visit, patrons are encouraged to add a tour to their experience. While at the Center, patrons may also enjoy a
performance, such as the Dr. Seuss’s The
Cat in the Hat (through June 13 to July 28, 2013), or attend a
Create-A-Puppet Workshop or a film. For more details and full event and
activity listings, please visit www.puppet.org.
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The Center for Puppetry Arts is supported in part
by: Fulton County Arts Council • • City of Atlanta
Office of Cultural Affairs • Isdell Family Foundation • The Wish Foundation
Fund of The Community Foundation for Greater Atlanta • PNC Foundation• The
Zeist Foundation • Georgia Council for the Arts • WSB-TV Family 2 Family
Project • AT&T The Real Yellow Pages • Regency Suites Hotel • Toto USA •
For a complete list of the Center’s major supporters, please visit www.puppet.org.
Center for Puppetry Arts® is a unique cultural
treasure – a magical place where children and adults are educated, enlightened,
and entertained. Since 1978, the Center has introduced millions of visitors to
the wonder and art of puppetry and has touched the lives of many through
enchanting performances, curriculum-based workshops, and the hands-on Museum as
well as Distance Learning and outreach programs. Center for Puppetry Arts is a
non-profit, 501(c)(3) organization and is supported in part by contributions
from corporations, foundations, government agencies, and individuals. Major
funding is provided by the Fulton County Board of Commissioners under the guidance
of the Fulton County Arts Council. These programs are supported in part by the
Georgia Council for the Arts through the appropriations from the Georgia
General Assembly. GCA also receives support from its partner agency, the
National Endowment for the Arts. Major support is provided by the City of
Atlanta Office of Cultural Affairs. The Center is a Member of Theatre
Communications Group, the national organization for the American theatre. The Center also serves as headquarters of
UNIMA-USA, the American branch of Union Internationale de la Marionnette, the
international puppetry organization.
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